Check out Indifférence (Valse Musette) by Delphine Lemoine on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on 2 showing no care or concern in attitude or action; “indifferent to the sufferings of others”; “indifferent to her “Indifference ” a song in the Valse Musette style. Скачать mp3: “Indifference” Valse Musette, Accordion Solo on the Roland FR 1 . Reine de Walc Musette/French cafe music – Accordion/Akordeon. Все MP3.
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Performed by Wang Yi and her friend. I would reckon I have listened to hundreds of French and Belgian players over the years, and other than Gus Viseur there has been no Belgian player that has managed to capture my heart.
After one or two false starts I decided that Ferrero’s method was the best, although it took a long time compared to the other methods I tried that were really only intros to CBA. With a view to broadening my repertoire, I’ve been watching Italian CBA players quite a lot recently, and with some reluctance would have to agree that their thumbs on technique is superior to the guys who do without it.
Jo Morage played a more “music teacher” style and you’ll see his pinky working overtime in this composition by Gus Viseur. I went off the pur musette which I actually didn’t find all that easy to play. Both of them just played tunes in their own style regardless of how they were written.
Here’s a link to one guy you’ve probably never heard of, but he nevertheless wrote a tune named “Orly”a waltz that made it into the Paul Beuscher Musette music book Vol 3 I think.
What makes one performance or performer stand out over another? They loved to give it big licks on stage and you always kept listening in case they made a mistake. No registered users and 0 guests. The foremost player of that genre who progressed into the recording world was Emile Vacher, who composed a large number of early musette tunes along with the pianist Jean Peyronnin.
The song was composed by Angel Cabral with lyrics written by Michel Rivgauche.
Powered by Create your own unique website with customizable templates. Sous le ciel de Paris, “under the sky of Paris”, is a French film.
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It is an easy song for accordionists to play. I preferred the stuff played by his lower key brother, Freddy. I used inddifference subscribe to a French accordion magazine and in an article about Gus Viseur they described his style as very unorthodox.
In the days before electric amplification the dancers were dependent on the accordion and drums, if there were any, in order to keep time. When he wrote and performed Indifference it was seen as a significant masterpiece, compared to the run of the mill tunes then being composed by the mainstream bal musette inidfference.
His technique was faultless and when he played those polkas the notes were played with a military like precision like machine gun bullets bouncing off a metal air raid shelter. Accordion players love this indifferennce so much, and there are many versions.
Both of them had individual styles and sounds that nobody else has been able to replicate since.
Indifference – accordion musette (video) – Accordion
He also damned those who used their right thumbs on the treble side saying that they would not achieve such a good technique. He always played in the Italian style with frequent use of his right thumb, and this set him apart from the main body of accordionists in France at the time. Due to my choice of not pursuing the accordion music of my fellow Scots, I had to teach myself mainly by listening and referring to French tuition books.
Tony Murena, Italian by birth, was a pioneer of electronic amplification.
It was by studying those videos that I realised Mr Ferrero’s method was ideal if you were going to play classical music, but if you were going to play musette you had to learn to keep the thumb and pinky off the treble buttons, and only use them if there was no other option. Hard to say perhaps but I was interested in what you thought. Can be accordion solo or with band. Firstly, to iron out a few anomalies, the term “French musette” is used to describe a style of accordion playing, and does not directly correspond to the tuning of indlfference accordion used to play it.
The musette is actually a indifferebce of bagpipe used in French folk music, and is a term also used in the French language to musete to a small rucksack, usually worn by military personnel. Wish him a bright future! I remember reading Ferrero’s method book and his rebuke about the 4th row. I’m going to start looking around for more CDs to add to my collection! These days most French instruments are of 3 voice construction with a set of bassoon reeds and the other two flute reeds will typically be tuned americain swingwhich is the most popular, or celeste vibrato or two voice musette.
I’ll try to answer your question about what I think constitutes a good performance, naming players and my reasons for liking indkfference. Nevertheless I have played for a very long time, so feel qualified to comment. Things started to fall into place after that. They are able to play misette a more legato tone when needed, and have a greater fluency and range. Also, my fingers were better placed for playing Indifferenec accordion.